Thursday, 8 February 2018

Creative Writing students treated to a visit from historical novelist George Green



Third-year Creative Writing students on Writing the Past and Life Writing courses  were treated to a seminar with author of historical novels, George Green.

In an informal session, George offered a number of writing tips.

For historical fiction, these included:
 
1. Think of a three-line pitch for your story. What is your story really about?
 
2. Readers may not know much about the era you are writing about. Think about what information you will need to give them and how to integrate this seamlessly into the narrative.
 
3. The events you are writing about have already happened. Think about what you are going to add in terms of perspective. What is your story?
 
4. Have three pieces of paper in front of you: a three-line pitch, a half-page summary, a one-page synopsis. As you are writing, compare your story to these. If you are going too far off-track, consider whether the writing or the plan needs changing.
 
5. Don’t keep redrafting your first chapter. Better to continue with your novel to the end, and then you will have a clearer idea of how chapters need to be redrafted. This way you will save a lot of time.
 
6. Don’t grow too fond of your characters. Plenty of horrible things need to happen to them.
 
7. Don’t fall in love with the research. It is your story which is important. This is fiction, not history.
 
8. Keep the pressure going. Build and complicate your story.
 
9. Consider the advantages of using a minor character to tell the story.

For life writing, George’s tips included:

1. Think about the story you are going to tell. Your life in itself may not be that interesting.

2. Think about how you are going to shape that story, and keep the reader turning the pages.

3. Good life writers have been defined as ‘liars in search of the truth’. Consider the relationship between fact and fiction in your story.

4. Use humour.

5. Consider how you will use time. Your story does not have to be in chronological order.

6. Consider how you will balance the relationship between time, events, and characters. Where will your focus be at different points in the story?

7. Don’t forget the importance of ethical and legal issues.


George Green is the author of Hound and Hawk, and the co-author of Writing Novels for Dummies, as well as number of critical articles.

Blog post: Dr Ian Seed, Programme Leader for Creative Writing.

To find out more about Creative Writing at the University of Chester, go to:
https://www1.chester.ac.uk/study/undergraduate/creative-writing-combined/201809












 

Wednesday, 7 February 2018

Students and tutors enjoy a glass of wine (or two) at our latest open-mic night



Students and tutors read out their poems, flash fiction, short stories, and scripts at the latest open-mic night held on February, with plenty of wine to keep warm on a cold winter’s evening.
 
The event was brilliantly hosted by our two Pandora’s Box student editors, Sarah Kissack and Joshua Cialis (on left below), who handed out a series of prizes at the end of the evening.




Open-mic nights are held on a regular basis and offer students and tutors the chance to get together, share creative writing, and relax.


Photos:  Elizabeth Milne.
Blog post: Dr Ian Seed, Programme Leader for Creative Writing.


To find out more about Creative Writing at the University of Chester, go to:
https://www1.chester.ac.uk/study/undergraduate/creative-writing-combined/201809



Thursday, 25 January 2018

Former Creative Writing Students talk about their experiences at the University of Chester in an interview with current Creative Writing student, Isabelle Carey

Edward Little

 Elizabeth Milne
 
 
Key: EL – Edward Little

         LM- Liz Milne

 

I had the opportunity to ask some past Creative Writing Students from Chester about their experience at the university. Edward Little and Elizabeth Milne have both graduated and are still very much involved in creative writing inside and outside their careers. Here is what they have to say about the BA Combined Honours course and what they get up to now.

 

Can you, first of all, say a little bit about why you chose the University of Chester to study a Combined Honours Degree?

EL: I chose the University of Chester as I liked the idea of being a part of a small community, and I thought that doing a Combined Honours degree in English Literature with Creative Writing, in such a tight space, would give me the chance to make friends with similar interests, who would enjoy performing their creative work. My assumptions were very correct here. Also, I chose Chester so that I was close enough to Liverpool to visit home, but far away enough that getting drunk at open-mics was a valid excuse not to.  

 

LM: I chose University of Chester because it was the university closest to my home. With two children still at school, I wouldn't have been able to travel long distances or to stay away from home. I went with a Combined Honours degree as I wanted to take Creative Writing, but there is no single honours creative course.

 

Did the course meet your expectations? What did you find the most useful?

EL: I feel like the course met my expectations, as the course presented me with opportunities to not only write, but perform my work. One major example being the university’s magazine, Pandora’s Box. Seminars, a place where you could workshop, really helped with re-drafting creative work: especially when it came to Flash Fiction and Poetry. 
Every tutor I experienced at the university was enthusiastic about students’ work, which really helped with motivating me during my studies. It was not only the able tutors that pushed me through my undergraduate and postgraduate degrees, but the English department in general. They were a great help, especially when I showed up stressed with questions, or simply to calm me down with a cheery greeting when I nervously picked up an assignment.

 

LM: Yes, absolutely. The opportunity to have my own writing critiqued by both tutors and other students – often, fresh eyes can pick up plot holes or narrative gaps that the writer misses.

 

What did you find most enjoyable? 

EL: The most enjoyable part for me was not only the creative community of the university, but the Chester community in general. Chester University’s Creative Writer’s Society and the magazine Pandora’s Box pushed me through my years at university, and I found that it was easy for me, as well as fellow students, to then take the work these platforms produced and perform it at open-mics dotted around the city. Being a part of a creative community outside of the university without a doubt helped me in my academic studies.  

 

LM: I loved the whole experience – even the exams! Probably the best experience was seeing my writing become tighter and punchier – seeing sloppy long paragraphs reduced to elegant, concise ones is a great feeling.

 

Now that you have finished your degree, are you still involved with Creative Writing?

EL: Since finishing my degree I have performed at various events in Liverpool, Chester, and Ormskirk, performing flash fiction and poetry. In November, myself and other writers were a part of ‘New Voices’ at Chester’s literature festival, reading the introduction to our upcoming novels. If it wasn’t for the support of the creative writing staff at the university, especially the support that I have been given since I have graduated, I wouldn’t be as motivated to write as I am now.  

 

LM: Yes, I still write fiction, although less than while taking my degree. I also write blog posts and internet articles for writing clients – less creative but it is still writing! I am also currently volunteering for someone who works for Storyhouse, trying to set up a community writing/ performing outlet for the wider Chester population. He has also put my name forward to represent Lapidus International (the 'Words for Welfare' people) in the North-west, so I am waiting to hear back about that. In October 2018 I will start the MA Creative Writing: Writing and Publishing Fiction at the University of Chester, after which I will see what jobs are available in the publishing/ editing world –so creative writing, in one form or another, is going to be a big part of my future!

 

Is it helping you in any way with your career?

EL: I believe both of my creative degrees are helping me with my career as I was able to learn not only about creative writing, but how it is published, where specific genres are published, and where my genre of writing would best stand a chance. Recently I have had flash fiction accepted in the magazines Reverb and RumbleFish , and I have finished my TEFL course, with which I am planning to teach English abroad. 
I plan to always write, possibly in new scenery, and it is because of my education as a Creative Writing student at Chester that I have such confidence in my general abilities. 

  

Finally, can I ask if you have any advice for current Creative Writing students at the University of Chester, or for potential students?

EL: By this point I’m sure it’s already predictable what I’m going to say, but for any creative writing student at the university, try and show your work off in any way you can from the beginning. This is definitely terrifying, but you will quickly realise that everyone has an opinion about your work, and that in this career path, you will continuously be criticised. The tutors are there to help you, not tear you down – even when you think the cliché you used is perfectly justified. 
Listening to the criticism from tutors and fellow students is all well and good, but the main priority when it comes to your creative assignments is to re-draft. Forget everything you learnt reading Charles Bukowski, because even if the meaning is there, the grammar isn’t going to be perfect on the second draft, never mind the first. Be meticulous when it comes to your assignments, because the fun comes later on: at open-mics, reading a page of prose to your mate over coffee, stumbling home after a successful launch night at Pandora’s Box. 
You get the idea. 
The hard work is worth what you can get out of Chester, even if you are not one for reading your work in public, as the Creative Writing tutors are more than willing to help any student who shows they are willing to put in the effort.  

 

LM: Yes, DO THE READING! At the very least, read through a couple of synopses and reviews (more than one, more opinions will give you a more balanced view of the work, but if at all possible, do the reading and then do a bit more reading – you cannot understand any text without reading it, not only once, but two, three or more times. If you want a good end result, it begins with making time to do the reading. And finally, enjoy it. Attend classes, plan assignments well in advance and speak to your tutors if you have any worries – university can be a challenge, but it can be fun with the right preparation.
 
 
Isabelle Carey
 
Interview conducted by Isabelle Carey,
Second Year Creative Writing student at the University of Chester

Thursday, 7 December 2017

Creative Writing Lecturer to be Surprise Guest Poet





Dr Ian Seed is very much looking forward to being a surprise guest poet at the Grange-Over-Sands Poetry Carousel Residential on Saturday, December 9.
 
As well as reading new poems, Ian will read from his books Makers of Empty Dreams and Identity Papers, and from his critically-acclaimed translations of the poetry of Pierre Reverdy.



To find out more, go to: https://kimmoorepoet.wordpress.com/2017/12/03/guest-poets-for-the-2017-poetry-carousel/

Friday, 1 December 2017

Inspiring Visit by Poet John Lindley





On Thursday 23rd November 2017, the poet John Lindley visited the Department to speak to students on An Introduction to Publishing, a second-year module convened by Dr Peter Blair. John, who has published nine collections of poetry, has a wealth of experience in getting published and in living as a writer engaged with the community. His many activities include stints as Cheshire Poet Laureate, as Manchester Cathedral Poet of the Year, and as a mentor on the British Council’s Crossing Borders project.

 
You can read more about John’s work here: https://johnflindley.wordpress.com/about/

Wednesday, 29 November 2017

Flash Fiction at the Chester Literature Festival



On Friday 17th November 2017, Peter Blair gave an entertaining and informative talk on flash fiction at the Chester Literature Festival.  The event was held at Storyhouse, and was attended by an audience of 60.




Peter is Senior Lecturer in English at the University of Chester. He and his colleague Ashley Chantler are co-editors of Flash: The International Short-Short Story Magazine, and co-directors of the International Flash Fiction Association (IFFA): www.chester.ac.uk/flash.magazine and www.chester.ac.uk/flash.fiction



Monday, 13 November 2017

Uni at the Fest: Peter Blair on Flash Fiction






This Friday (17th November) at 6pm, Peter Blair will be giving a talk on flash fiction at Storyhouse, as part of the Chester Literature Festival.
Every year, Chester Literature Festival welcomes lecturers from the University of Chester who share their expertise in a series of popular free talks.

This illustrated talk will introduce the meteoric rise of the contemporary flash, its many varieties, and the myriad names by which it is known. It will consider definitions of flash fiction, including identification by word count and formal characteristics. And it will explore humorous examples to illuminate how little stories can resonate long after their last words.

The event is free, but you’ll need to book online: